Everything Is Spiritual | Rob Bell

I have followed Rob Bell’s writing for decades now. He continues to stay anchored in core truths while also exploring the depth in what people today are aching for. His stream of consciousness style has always spoken to me, and here we get to let it sink into our bones. In many ways, maybe it’s his leaning to stream of consciousness that has allowed him to explore so much in thought, theology and open discourse with others.

We know those waters. Loss and pain and grief and wounds and not knowing what to do or where to go or how to deal with the agony of life. We know those waters. There’s spirit in there, hovering, waiting to bring something new out of it. This is why people who inspire us the most always have been through those waters. They’ve expierence that hovering. They’ve seen that new creation. - Rob Bell'

Sex & Vanity | Kevin Kwan

This book was highly disappointing for a myriad of reasons. It’s hard to truly finish a book I dislike but it is more difficult to write about why I dislike it so much. It’s art. All art is subjective. I write more freely here because I am a huge fan of Kevin’s ‘Crazy Rich Asian’ series which I believe broke barriers, was written with a beautiful wink to both the reader and all those who may relate.
Sex and Vanity is a retelling of Pride and Prejudice by Jane Austen with a Chinese culture slant. Some elements work and most do not.
My biggest issue is that this reads exactly what it is: a man writing a female lead. Our protagonist comes off not only a fabrication of a man’s mind, but hallow. Her thoughts, her mannerisms all described were exactly why we have problems for young women. When men write us to be that hollow, that flimsy of character, all we get reflected back to us are the shallow and flimsy filters of ourselves.
Many women have these elements about their personality and character, but ALL these women have dynamic range to many degrees.
Case and point: Sophie Kinsella’s character Rebecca Bloomwood in the shopaholic series is outrageous. Completely out of this world shallow and airy. But we believe her. We laugh at her and with her. We find ourselves in her and we may know her. Why?
Because women written by women will always come from a different place than men writing women.
Men can do it, I believe they can, I have read books that are enrapturing and feel true to soul, but this…this was not it.

Films / Television Series of Note:

The Crown S04 - for the beauty of historical adaptations that give room for the complexities of people, a construct and an institution.
Fleabag S01 - for the raw honesty of a woman processing through trauma on multiple levels of her life. Cringe worthy and yet also insightful if you can sit through it to fully understand the various broken characters.
Before Midnight - Utter realness. Capturing the realities of a relationship, the good, the precious and the ugly and not discounting any of them as more or less important to the total sum of what it means to love another.